Indeed, Pecorini's ability to spoof himself convinced Gilliam
He wants to know about someone new is, 'Can he laugh?'" I know Terry, I can understand why he liked it, because the first thing Immediately say to yourself, 'Who is the jerk who sent me this tape?!' Now that Though, that what you're looking at right now is what Nicola Pecorini sees,īecause he has only one eye.' Then he stands up and takes a piece of black tape There speaking very highly of me, but he adds, 'I have to warn you, A friend of mine, director Tommy Schlamme, sits Then start taking phone calls or typing on the computer. "Usually someone will put the tape in, look at it for 30 seconds, and Pecorini, who lost his left eye to retinal cancer when he was just 16 months "I've seen how people look at demo tapes," says The Brave), Pecorini sent Gilliam a highly unusualĪudition reel which made light of the fact that the cameraman has sight in just While shooting footage for the actor's directorial debut, Following up on a tip from Depp (whom he had met Nicola Pecorini won the job by amiably acknowledging that he had already As it turned out, director of photography Potential, most cinematographers would have given their eyeteeth to land suchĪ plum assignment. Given this assemblage of talent and the story's strong visual Supporting players includes Tobey Maguire, Christina Ricci,Įllen Barkin, Gary Busey, Cameron Diaz, Mark Harmon, Katherine (literally) by Benicio Del Toro, who gained close to 50 pounds toĪpproximate the character's slovenly girth.
Gonzo, Duke's unruly and overweight attorney, was fleshed out The author's every move and mapping out his mannerisms. To Johnny Depp, who subsequently spent four months tracking Showy role of Raoul Duke (the writer's fictional alter ego) was awarded Thompson's apocalyptic tale also lured in a stellar cast. Inventive visualists (see interview on page The project, however, and was replaced by Gilliam, one of cinema's most Producer Laila Nabulsi, with director Alex Cox Legal wrangling, a go project was finally announced several years ago by Unsuspecting investors (some in perpetuity). Wordsmith helped to delay the undertaking by selling book rights to dozens of Martin Scorsese and Oliver Stone) in connection with various abortedĪttempts to animate Thompson's comically deranged opus.Īccording to legend, the infamously mercurial and mercenary Mill has rattled off a veritable roll-call of big-name directors (including Over the past quarter century, the Hollywood rumor Universal Pictures' production of Fear and Loathing Uncorking of Terry Gilliam's manic interpretation, the Freaks will (the straightforward and largely ignored 1980 adaptationįollowing has persistently clamored for a definitive screen treatment. Of prose that erupts with the impact of a Hieronymus Bosch hellscape.Īlthough Fear has inspired one previous feature film
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Rife with elegiacal overtones, the duo's frenzied expedition becomes aĭemonic cross between Jack Kerouac's On the RoadĪnd Dante's Inferno, rendered in a volcanic torrent Nation that has lost touch with the liberating ideals of the 1960s. Non-stop chemical bender through Vegas, the metaphorical nerve center of a His equally overamped Samoan attorney, Dr. Readers accompany wired but world-weary journalist Raoul Duke and
Tsunami of nightmare visions, paranoid rants and fire-and-brimstoneĭiatribes that boil with an apoplectic political rage. That promise in spectacularly surreal fashion, whipping up a veritable Subtitle proclaims it to be "A Savage Journey to the Heart of theĪmerican Dream," and Hunter Thompson's drug-addled yarn delivers on Thompsons Fear and Loathing in Las Vegas.ġ971, Fear and Loathing in Las Vegas has been the literary equivalent ofĪ bottled genie begging for its cinematic release. And a voice was screaming: "Holy Jesus! What are these goddamn animals?"
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" And suddenly there was a terrible roar all around us and the sky was full of what looked like huge bats, all swooping and screeching and diving around the car, which was going about a hundred miles an hour with the top down to Las Vegas. I remember saying something like "I feel a bit We were somewhere around Barstow on the edge of the desert when the drugs began to take hold. Cinematographer Nicola Pecorini heads to the American desert to help director Terry Gilliam unleash a long-awaited film version of Fear and Loathing in Las Vegas.